Soon after, I received a scholarship from the Luce Foundation for a year of research at the Faculty of Tropical Medicine at Mahidol University, in Bangkok, Thailand. Then not long before I graduated, reports began to come from the Thai-Myanmar border that mixed infections were more common there than previously thought. I was fascinated by the subject-it appears that infections with two species may at times be better than infection with one-but my work was mainly mathematical, and I had never had the opportunity to work in the field. Why did you decide to make that trip, and what was the experience like?Ī: In college, I wrote my senior thesis on mixed-species malaria infections, on what happens when someone is infected with more than one of the four species of parasite that cause human malaria. Q: Between college and medical school, you spent a year studying malaria on the Thai-Myanmar border. a complex and subtly imagined adventure.” – Guardian UnlimitedĪ Conversation with Daniel Mason, author of THE PIANO TUNER “An intense, shimmering dream of a story.” – Grand Rapids Press “A smart, entertaining adventure.” – Christian Science Monitor should be intrigued by the mix of historical detail, lush settings, and equally lush language.” – San Jose Mercury News “Daniel Mason’s ambitious, lyrical The Piano Tuner. Its author is rich in talent and promise.” – Philadelphia Inquirer artfully weaves psychology, politics, medicine and music theory into a polyphonic composition. a gifted writer.” – San Francisco Chronicle “ The Piano Tuner is a haunting, passionate story of empire and individualism.
astonishing.” – The New York Times Book Review powerful prose style and his ability to embrace history, politics, nature and medicine. “Mason’s writing achieves that kind of reverie in which every vision, tone, flavor and sensation is magnified.” – LA Times “Reminded me of books I read by flashlight, under the covers, when I was young.” – USA Today The Piano Tuner is a brilliant debut.” – Miami Herald A profound adventure story.” – The New Yorker
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“Intoxicating, full of sights to see, histories to learn, stories to entertain.” - USA Today Mason’s writing achieves that kind of reverie in which every vision, tone, flavor and sensation is magnified.” - Los Angeles Times a gifted, original and courageous writer.” - The Washington Post Book World “An ambitious, adventuresome, highly unusual first novel that offers pleasures too rarely encountered in contemporary American literary fiction. Riveting.” -Michiko Kakutani, The New York Times It immerses the reader in a distant world with startling immediacy and ardor. Sensuous, lyrical, rich with passion and adventure, this is a hypnotic tale of myth, romance, and self-discovery: an unforgettable novel. And at the doctor’s fort on a remote Burmese river, Edgar encounters a world more mysterious and dangerous than he ever could have imagined. On his journey through Europe, the Red Sea, India, and into Burma, Edgar meets soldiers, mystics, bandits, and tale-spinners, as well as an enchanting woman as elusive as the surgeon-major. The piano belongs to an army surgeon-major whose unorthodox peacemaking methods-poetry, medicine, and now music-have brought a tentative quiet to the southern Shan States but have elicited questions from his superiors. In October 1886, Edgar Drake receives a strange request from the British War Office: he must leave his wife and his quiet life in London to travel to the jungles of Burma, where a rare Erard grand piano is in need of repair. An extraordinary first novel that tells the story of a British piano tuner sent deep into Burma in the nineteenth century.
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